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Showing posts with label photography. Show all posts
Showing posts with label photography. Show all posts
Thursday, April 5, 2012
Saturday, February 5, 2011
Tuesday, May 18, 2010
Monday, April 19, 2010
Friday, April 9, 2010
Thursday, April 8, 2010
Monday, March 29, 2010
Thursday, March 11, 2010
Friday, March 5, 2010
Wednesday, March 3, 2010
Tuesday, March 2, 2010
Monday, January 18, 2010
Thursday, January 7, 2010
Tuesday, January 5, 2010
A Photo Student › Photo Writings
1. Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction”, in “Illuminations” ed., Hannah Arendt
2. Walter Benjamin, “The Author as Producer”, in “Reflections” ed., Hannah Arendt
3. Roland Barthes, “The Rhetoric of the Image”, in “Image Music Text”
4. Roland Barthes, “The Photographic Message”, in “Image Music Text”
5. Roland Barthes, “The Death of the Author” in “Image Music Text”
6. Roland Barthes, “Camera Lucida”
7. Baudrillard, “Simulacra and Simulation”
7. Susan Sontag, “On Photography”
8. Susan Sontag “Regarding the Pain of Others”
9. Vilem Flusser, “Towards a Philosophy of Photography”
10. Michael Fried, “Art and Objecthood”
11. Michel Foucault, “Of Other Spaces: Heterotopias”
12. Martha Rosler, “In, Around, and Afterthoughts (On Documentary Photography)” in “The Contest of Meaning”, ed., Richard Bolton
13. Deborah Bright, “Of Mother Nature and Marlboro Men: An Inquiry Into the Culture Meanings of Landscape Photography”, in “The Contest of Meaning”, ed., Richard Bolton
14. Allan Sekula, “The Body and the Archive” in “The Contest of Meaning”, ed., Richard Bolton (also in October, Winter 1986)
15. Allan Sekula, “Reading an Archive” from “Blasted Allegories”, ed., Brian Wallis
16. Christopher Phillips, “ The Judgment Seat of Photography” in “The Contest of Meaning”, ed., Richard Bolton
17. Walter Benjamin, “A Short History of Photography”, in “Classic Essays on Photography”, ed., Alan Trachtenberg
18. Andre Bazin, “The Ontology of the Photographic Image”, in “Classic Essays on Photography”, ed., Alan Trachtenberg
19. Siegfried Kracauer, “Photography” in “Classic Essays on Photography”, ed., Alan Trachtenberg
20. Hubert Damisch, “Five Notes for a Phenomenology of the Photographic Image” in “Classic Essays on Photography”, ed., Alan Trachtenberg
21. Craig Owens, “Photography En Abyme”, in “Beyond Recognition”
22. Craig Owens, “The Discourse of Others: Feminism and Postmodernism”, in “Beyond Recognition”
23. Douglas Crimp, “Pictures” October, Volume 8, 1979, also in “Art after Modernism: Rethinking Representation”, ed., Brian Wallis
24. John Szarkowski, “Mirrors and Windows”
25. Rosalind Krauss, “Notes on the Index: Part 1 and Part 2” in “The Originality of the Avant – Garde and other Modernist Myths”
26. Laura Mulvey, “Visual Pleasure and Narrative Cinema” in “Visual and Other Pleasures”
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Monday, January 4, 2010
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